Friday, May 18, 2012

Tiffen Dfx v3 Adds Support for FCPX and Motion 5 | ThePhotoTimes ...

Press release from The Tiffen Company:

Hauppauge, NY ? Tiffen announced that its award-winning digital filter suite ? Tiffen Dfx v3 ? is now available for use on Apple Final Cut Pro X (10.0.4) and Motion 5 (5.0.3). Winner of the Studio Prime Award (April 2012), Award of Superiority from MicroFilmmaker Magazine (March 2012), the Photo Industry Reporter?s prestigious Best of the Best award for CES 2012 (March 2012), the DV Black Diamond award (October 2011), Videomaker?s Best of Show CES 2012 (January 2012), and Digital Photography Magazine 2012 Editors? Choice Award (March 2012), the Tiffen Dfx digital filter solution simulates 2,000+ popular award-winning Tiffen glass filters, specialized lenses, optical lab processes, film grain, exacting color correction plus natural light and photographic effects, making it a definitive set of digital optical filters for any video editor, director of photography or still photographer.

?Our Tiffen Dfx v3 digital filter suite is a critical part of the compositing and effects production workflow for video editors and motion graphic artists,? comments Steve Tiffen, President and CEO, The Tiffen Company. ?Having support for the Final Cut Pro and Motion community ensures that these artists are able to use their Tiffen Dfx filters when they make the move to the latest Apple pro video application offerings.?

Tiffen Dfx Pricing and Availability
Tiffen Dfx for FCP X and Motion 5 is available this day for $599.00 USD. In addition to supporting Apple Final Cut Pro 10.0.4 and Motion 5.0.3, one Tiffen Dfx v3 video/film plug-in license will also run in Adobe After Effects, Adobe Premiere Pro, Apple Final Cut Pro 6 & 7 and Avid editing systems if installed and activated on the same machine.

The Tiffen Dfx v3 pic plug-in is available this day for $199.95 USD. One Tiffen Dfx pic plug-in license will run in Adobe Photoshop, Adobe Photoshop Elements, Adobe Photoshop Lightroom, and Apple Aperture if installed and activated on the same machine.

The standalone version of Tiffen Dfx v3 is available this day for $169.95 USD.

To download Tiffen Dfx v3, please visit: http://tiffensoftware.com/products.

Tiffen, the One-Stop Shop for Visual Effects Software Solutions
Through a global distribution partnership with Digital Film Tools, a developer of visual effects tools, Tiffen provides the creative community access to an unprecedented breadth and depth of award-winning visual effects products with special production bundles that can be bought only through Tiffen and DFT.

?Tiffen has built a reputation on listening to our customers and giving them the ideal in visual effects technology ? part of which means ensuring our digital effects tools are available on the latest editing software products such as Final Cut Pro X and Motion 5,? notes Steve Tiffen. ?The other part is variety. In addition to supporting the new Apple releases with our flagship digital filter suite, we have significantly expanded our visual effects product offering through our relationship with Digital Film Tools. We can accommodate our customers? needs at any level, whether they are looking for a specific image treatment tool or an entire effects editing production suite, they can come to Tiffen.?

The extensive list of visual effects plug-ins and production bundles, which can be bought on the Tiffen website at http://tiffensoftware.com/products/dft-products, includes:

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New Flooring: Things To Consider - Article Niche



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New Flooring: Things To Consider

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Cost of Project: $$$$$


Location in the House: flooring

S o you decided that your home is in need of some new flooring. Perhaps it?s the flooring in one of your bathrooms or maybe even the flooring in the kitchen or living room. Regardless of where you believe new flooring is needed there are a multitude of things to consider and just as many decisions to make.
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Like all other home improvement projects it?s a good idea to the very least consult with a professional contractor. Flooring contractors can advise you on what will work best in your home given the climate it resides in, the foot traffic it sees, and any potential abuse it might have to endure. A professional can also help homeowners rework their project so that it?s workable with their budget.

Not long after a contractor has been found and hired, homeowners will need to begin looking over the many different types of flooring available for their home. Some homeowners will have a specific type of flooring in mind even before hiring a contractor but will have to make some compromises after their initial consultation and realizing that, that type of flooring may not be suited for their home or for the environment that it resides in. Among the many different types of flooring for a home are tile, linoleum, carpet, hardwood flooring, and even marble.

Selecting flooring that not only complements your home but will be resistant to environmental hazards is the first key to success in such a project.

After flooring is then selected a contractor and his/her team can begin work on the actual project. Though there are some homeowners who prefer to tackle a project such as this themselves, the details and intricacies of such a project really necessitate the hiring of a contractor. A contractor will take precise measurements and will begin cutting and forming your new flooring at the very beginning of a project. After this portion of the project has concluded new flooring can be laid down and then set. You will need to keep in mind that different types of flooring will require different types of installation and different times for setting. A good example of this is tile. While installing and setting tile usually doesn?t take more than a day or so, it can?t be walked on for 1 to 2 days after that.

Furthermore a contractor will need to return and pour in grout once the tile cement has dried, rendering that floor inaccessible for another day or two.

Once your new flooring has been set it?s a good idea to carefully examine your new flooring for flaws or any other issues. This is a good idea because once a contractor finishes the project they may require you to sign some paperwork acknowledging that the job has been completed to your satisfaction. Finding flaws after signing paperwork means you?ll have to pay for that contractor, or another, to come back and fix the problem.

Once the project has been completed to your satisfaction and all paperwork is then signed you?ll be surprised at just how much more warm and welcoming your new flooring makes the room it resides in. So big is the change that it?s not uncommon for individuals who have new flooring put in to return to the same room for further remodeling. New flooring can pave the way for new furniture, new window decor, and even new paint. How far you take such a project is up to you.


Copyright ? 2012 Jennifer Jarvis - All Rights Reserved. Hyperlinked material remains the property of its respective owners.
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Thursday, May 17, 2012

Is a Link Building Service Your Best Option?

Online business needs to do or hire someone to do search engine optimization for their business.? Search engine optimization (SEO) is a vital part of marketing for online businesses. Search engines use this optimization to rank web sites.? This means the higher the rank the farther up the search list a web site is.? It's a sustainable assumption that individuals using the search engine to find a particular product or service will only look through the first few pages of results.? This is where all online businesses want to be in order to drive potential customers to their site.? Part of the optimizing includes link building.? Link building can be a tedious task and is why most online businesses will acquire link building services.

Link building usually begins with linking all of the pages of a web site to the main page.? Then it is important to link other pages with your business's page.? This can be done a few ways.? Your business can have similar and associated web sites linked to theirs.? Another way is to link your web site to a site associated with your type of business.? It's important when linking that you link with sites that have something to do with your type of business otherwise it doesn't improve your SEO and can actually move you farther down the rank.? Another good source to link to is a high profile site such as a local nonprofit or government site.? One may also build links with web directories.? There are pay directories, as well as, free ones.? A business must apply to the directory and wait on a response.? There is also back linking which includes keyword blogs and articles.? It's very important that the latter ones get plenty of attention and kept up to date.? As you can see this is a very in-depth technique and is why businesses elect to hire a link building service.


There are some things that a business needs to watch out for when hiring a link building service.? One is that they don't try to short cut by using "black hat" techniques.? A "black hat" technique can get your business disciplined by removal from the search engine.? Another is over stuffing keywords into articles.? This will also throw a flag up from the search engines.

There are plenty of link building services a business can choose from.? Because it's an important part of search engine optimization, which is equally important to your business one should make sure that the link building service is a reputable one.? A business may want to oversee the written material to check for clarity, grammar, and the proper use of keywords and their density.? This ensures that they didn't just throw money out the window.

If opting out to a link building service is something you prefer not to do, it's okay.? Businesses can do their own link building if they so choose.? There are a number of tips available online that can assist you in the steps it takes to create great link building.? You can also take courses for link building as well.

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Wednesday, May 16, 2012

On 'The View,' Obama aces a Kardashian question but blanks on 'Fifty Shades of Grey' (Los Angeles Times)

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An American influx at Cannes' global glamour fest

CANNES, France (AP) ? Despite the mood in Europe, don't expect any austerity at the Cannes Film Festival, the annual Cote d'Azur extravaganza where glamour is wrapped in world cinema fervor and gauzy Mediterranean sunshine.

Except for the Oscars, it's the flashiest red carpet in the world, a ruby staircase flanked by tuxedoed photographers ? and a world away from financial turmoil.

Yet Cannes, the 65th edition of which starts Wednesday, fetes its directors as much as it does its stars. This year, there are plenty of both: esteemed international filmmakers like Abbas Kiarostami and Michael Haneke to big-name talent like Brad Pitt and Nicole Kidman.

Among the 22 films in competition, there's a particularly large American contingent, starting with the opening night film, Wes Anderson's "Moonrise Kingdom." The movie about adolescent love on the run brings a few new actors (Bruce Willis, Edward Norton) into Anderson's carefully orchestrated world.

Later, there's David Cronenberg's Don DeLillo adaptation "Cosmopolis," starring Robert Pattinson, and Walter Salles' ("The Motorcycle Diaries") anticipated adaptation of Jack Kerouac's beloved "On the Road." That film, produced by Francis Ford Coppola, stars Sam Riley and Garrett Hedlund, but has attracted more attention for its supporting roles, including Pattinson's "Twilight" co-star Kristen Stewart as Dean Moriarty's girlfriend.

There's also John Hillcoat's "Lawless," a Prohibition-era bootlegging tale starring Shia LaBeouf and Tom Hardy, and Andrew Dominick's "Killing Them Softly," a crime film starring Pitt as a Mob enforcer. The unusually large U.S. group is rounded out by Jeff Nichols' "Mud," with Matthew McConaughey and Reese Witherspoon, and Lee Daniels' "Precious" follow up, "The Paperboy," a death row drama starring McConaughey, Zac Efron and Kidman.

"The Americans are coming!" heralds Daniels, whose "Precious" screened in Cannes' Un Certain Regard section.

That echoes the same sentiment of Cannes' artistic director Thierry Fremaux, who declared America cinema "back in full force" when announcing the lineup.

For Daniels, the festival is a comfortable place to premiere his latest.

"We get so caught up, as Americans, in a specific type of film experience that we forget that this is a small fraction of what cinema is about," he says. "It's OK to be odd. I remember when I was doing 'Precious,' everybody looking at me and scratching their heads like, 'What are you doing, really?' I remember feeling that I was odd, and I don't feel odd at Cannes."

Terrence Malick's "Tree of Life" last won the festival's top prize, the Palme d'Or, the first American film to do so since Michael Moore's "Fahrenheit 9/11" in 2004. Although the French silent film ode "The Artist" was bested by "Tree of Life" at Cannes, it went on to win best picture at the Academy Awards.

"The Artist" had been picked up for U.S. distribution ahead of Cannes by Harvey Weinstein, whose Weinstein Co. will release "Lawless" and "Killing Them Softly" this fall. He's frequently used Cannes as a place to both acquire and launch films.

"Cannes is a worldwide arena," says Weinstein. "It's just a great opportunity to launch something. The worldwide press is there and it commands worldwide attention. You get such a difference of opinion, and when it comes together as a consensus, you can really launch a movie like we did 'The Artist' last year."

Several films in competition will be looking for distribution, and some have already found it. "On the Road" was last week acquired by IFC Films and Sundance Selects with plans for a release late this year. In deals signed in hotel rooms and aboard yachts, many other films in various stages of production will be bought and sold. After a robust market in 2011, Weinstein ? "a buyer and a seller" this year, he says ? describes this year's market as "maybe stronger."

Other films will seek to benefit from the global convergence of media, like the upcoming DreamWorks animation blockbuster "Madagascar 3: Europe's Most Wanted," which will screen out of competition, and "The Dictator," for which Sacha Baron Cohen is expected to make an in-character promotional appearance on the waterfront Wednesday. The festival will also host a fundraiser for several Haiti charities, including Sean Penn's.

Whereas Penn and Pitt are familiar favorites at Cannes, this year's festival includes a new crop of young actors seeking more adventurous work, including LaBeouf, Efron and Pattinson.

"When you fantasize about how the world views you as an actor, you're like, 'I want to be recognized at Cannes,'" says Pattinson, who has drawn high compliments from his director, Cronenberg, for his performance in "Cosmopolis."

Pattinson has previously been to Cannes to promote the "Twilight" film "New Moon" in 2009, but he's clearly thrilled to be a part of the main slate.

"Hopefully, people don't hate it," he says, alluding to Cannes' famously vocal audiences.

Newcomers, though, are outnumbered by veterans this year. More than two-thirds of the directors with films in competition have previously had films at the festival.

There are no women directors in competition this year, after four last year ? an outcome that the feminist group La Barbe has condemned in an online petition.

Haneke, the Austrian director who won the Palme d'Or for "The White Ribbon" in 2009, returns with "Amour," about an octogenarian couple. The British filmmaker Ken Loach, winner of the Palme in 2006 for "The Wind That Shakes the Barley," is back with "The Angels' Share" ? atypically for Loach, a comedy. The Iranian master Kiarostami, whose "Taste of Cherry" won the Palme in 1997, has the Tokyo drama "Like Someone in Love."

That also leaves international heavyweights Jacques Audiard ("Rust and Bone"), Cristian Mungiu ("Beyond the Hills"), Matteo Garrone ("Reality"), Hong Sang-soo ("In Another Country," Carlos Reygadas ("Post Tenebras Lux") and the 89-year-old Alain Resnais ("You Haven't Seen Anything Yet").

Several of the American films are international collaborations, helmed by filmmakers from Brazil (Salles), New Zealand (Dominik) and Australia (Hillcoat).

At Cannes, the context is always macro: all the world, all of cinema.

"It's great to have an American genre film in that kind of arena, where what you're coming to do is just share storytelling and the love of filmmaking as opposed to national boundaries," says Hillcoat. "That's what's really exciting about Cannes."

___

Follow Jake Coyle on Twitter at: http://twitter.com/jake_coyle

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